Michael Kimball Writes Your Life Story: Gigantic #2: America

Monday, March 1, 2010

Gigantic #2: America

I just received my contributor's copies of Gigantic #2 and it's an amazing looking book-object. Plus, there's stuff from Lydia Millet, Adrian Tomine, Sam Lipsyte, Robert Coover, Leni Zumas, Thomas Doyle, Thomas Allen, Meg Pokrass, Luke Goebel, Brian Allen Carr, Harriet Calver, Ben Siegel, Brian Beatty, Sibyl O'Malley, Able Brown, Ravi Mangla, Stuart Downs, Dylan Godwin, Marc T. Wise, Blake Butler, Claudette Bakhtiar, Dylan Nice, Ben Stroud, Reese Kwon, Luca Dipierro, I. Fontana, Sasha Fletcher, Max Fenton, Andre da Loba, Jordan Bruner. Plus, there is a section of collectible biographies of famous Americans as written by Deb Olin Unferth, Clancy Martin, Stephen O’Connor, Margo Jefferson, Ken Sparling, Joe Wenderoth, and mine is called "Edgar Allan Poe, as Told in the First-Person and Today's Language, Even Though I'm Dead."

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Nice Things About Us

Observer: “Powerful and moving ... breathless”
El Placer de la Lectura: “A monument to love”
The Glasgow Herald: “Be warned: this book has the power to make even the most hard-hearted of readers shed a tear. ... Kimball has broken into new territory: Us is one of the most graphic depictions of illness and loss I have ever read.”
Letras Libres: Michael Kimball "already delivers the future of the novel ... [He is] one of the authentic innovators in contemporary fiction."
Blake Butler: “There are two books I can remember that ever made me physically cry. There were the rape scenes in Saramago’s Blindness, and there was nearly every chapter of Michael Kimball’s [Us]. While the first hurt because it was so brutal, Kimball’s was a softer kind of invocation—as I read it in a bathtub, I could not shake the feeling of being held, as if somehow the words had interlaced my skin. This is the essence of the magic Michael Kimball holds—his sentences come on so taut, so right there, and yet somehow so calming, it’s as if you are being visited by some lighted presence.”
El Razón: “Bathed in tenderness ... touching and breathtaking ... one of the most moving, heartbreaking, and sad novels of contemporary American fiction. It is essential.”
Telegraph and Argus: “This is the saddest book I have ever read and one of the most beautiful ... One can’t help being aware of his grief and the great love he feels for his dying wife. It will make you cry and break your heart but this is one book you must read.”

Nice Things on Dear Everybody

The Believer: "a curatorial masterpiece"
The LA Times: "funny and warm and sad and heartbreaking"
Time Out New York: "stunning"
The Star-Democrat: "elegantly and eloquently written ... an unforgettable book"
Gary Lutz: “Dear Everybody confirms Kimball's reputation as one of our most supremely gifted and virtuosic renderers of the human predicament.”
Largehearted Boy: "Dear Everybody is a cleverly constructed book that balances pathos and humor exquisitely, and proves Michael Kimball to be a master storyteller."
The Citizen: "superb"
WYPR: “quite a literary feat"
The Faster Times: "Michael Kimball is a badass."
HTMLGIANT: "Dear Everybody is one of the finest, most heartbreaking books I’ve ever read."
David McLendon: "I know of no one ... who knows and understands every cog and flywheel and screw of the language machine to the degree of Kimball's reach."
Word Riot: Dear Everybody is "forever embedded in my brain."
Maud Casey: “Dear Everybody has the page-turning urgency of a mystery and the thrilling formal inventiveness of the great epistolary novels.”
HTMLGIANT: "one of the hottest, most innovative books of the year"