I'm happy to say there's a really nice review of DEAR EVERYBODY by the wonderful Josh Maday at New Pages. I was trying to figure out how to just quote a tease line, but I couldn't. Here's the whole last paragraph:
"Kimball writes with such deep emotion and crafts his sentences with such mastery that he sweeps away his own footprints and allows the reader unhindered access to the story. The fragmented nature of the book makes it an addictive read, giving the reader regular breaks while at the same time drawing them along. I often found myself thinking, 'Just one more letter. One more diary entry. One more interview,' until it was time to go back to the beginning and start over. With Dear Everybody, Michael Kimball achieves the perfect balance of form and content, comedy and tragedy – all without sliding into melodrama or sentimentality, instead evoking genuine emotion that will remain with readers far beyond the last page."
Also over the long weekend, Rafael Alvarez (one of the writers who made THE WIRE great) writes a profile in the Sunday edition of The Examiner. It's about the cross-country trip I took to revise the first draft of THE WAY THE FAMILY GOT AWAY.
And an interview went up at Urbanite that covers a lot of ground--everything from my first novel to DEAR EVERYBODY to what I eat for breakfast.
Plus, there was the rave by Michael Miller in Time Out New York's Fall Books Preview: "Michael Kimball Reinvents the Suicide Letter." Here's a little bit of it: "In addition to writing stunning prose, Kimball evocatively hints at entire physical and emotional worlds lying just behind his story’s surface. In many cases, the author’s verbal compression both amplifies and dampens the tragic clamor of Jonathon’s letters ... they harbor such a strange emotional power that you’ll find them hard to forget." Here's the whole thing.