Lynn Alexander’s childhood was kind of strange because her father got custody of her and her siblings when her parents got divorced. Her father is amazing. He supported her mother even after the divorce and sometimes she lived in the house with the rest of the family. One of Lynn’s favorite childhood memories is watching the Sunday news shows with her father, which is probably why she’s still a news junkie. Lynn went to Stony Brook University and then to New York University, which changed her life. She became interested in social work because of a job she had working nights in a rough neighborhood. She mostly served coffee and let people linger when they had very few places where they could be. There were all kinds off people—runaway kids, prostitutes, crack addicts, seniors with limited money who took their spouses out to share a coffee. Once, she found a dead man frozen outside. Another time, she found a baby left in a car while its mother turned a trick. After this, she applied to social work school, and then worked at a psychiatric hospital. During this time, Lynn learned what it was like to be a single parent, broke, trying to go to college, working nights. She learned about exhaustion and about living in survival mode. She learned how to make things without art supplies, using things around the house—magazines, junk mail, packages—making collages, “rock women” out of Rolling Stone magazines, strong vibrant women who resembled the opposite of how she felt at the time. She made things with her daughter, who needed to know about such women. These collages were both escapist and celebratory. They were symbolic and they were triumphant. She learned about the way art can change lives. This combined with the study of social issues broadened her awareness and re-affirmed her commitment to combining work with making a difference in people’s lives. Now Lynn is a social worker, policy researcher, activist, writer, and poet. She’s a mother and a wife and married to a supportive, caring person. She’s an artist and it is the artist who is the witness to the suppressed narrative.
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